I write and draw my own comics and it's one of the things I most like to do. I hugely enjoy it because it allows me to create a story, develop it, write a script, visualize and storyboard ideas, design characters and environments, draw the line art and paint the final renders. I have a comics website where you can read some of my comics but as this is my Visual Development Portfolio you can see below a selection of the work I do on this field:
Once I have an idea for a story I write it down, make notes and research about the subjects, locations or whichever aspect may help me to give consistency to the script. For example, for my comic Marguera Blues I researched a lot about the real chemical plant of Porto Marghera (Venice, Italy) where I took inspiration from. Looking into the archive of Italian newspapers fom the 70's helped me to understand the huge damage that the chemical plant did on the Venetian lagoon and the citiziens of Marghera over the years.

When I understand what I'm going to write about, I storyboard the script  with very rough sketches to visually develop the story. Below you can see preliminary sketches I've done for Salamanca Blues, the comic I'm currenty developing:
I also do thumbnail studies of the panels to deside and refine their composition. I normally do this in Photoshop and use very simple shapes and no more than three of four shades of grey. Below there're some examples of page-thumbnails I made for my graphic novel Salamanca Blues
Once I finished the script and thumbnailed the panels, I draw the pages in detail and do the line art. Sometimes I do this by hand with brushes and ink, other times I draw digitally in Sketchbook Pro. Below there's an example of School Walk, Marghera Blues and Salamanca Blues.

I sketched the pages of Shool Walk in Photoshop, then I drew them by with blue micromina pencil on paper, then I inked the final lines with brush and ink on paper, and them I coloured it in Photoshop.

I sketched, draw and inked the pages of Marghera Blues by hand, then I coloured them in Photoshop.

I thumbnailed the comic pages in Photoshop, drew the line art in Sketchbook Pro and coloured them in Photoshop.

I normaly start designing the characters while writing the script of my comics. Here there's a selection of characters fromy my comics. The one below is a turnaround of The Old Punk lady from my comic Angel People:
These are some of the preliminary sketches and the final design of the crazy cat for my metacomic The Lucky Horn (for which I also did a motion comic):
And these are some of the studies I've done to design the characters of my comic Marghera Blues
I wrote an article for Broken Frontier where I give in-depth insight about the research and creative process I did to create my graphic novel Salamanca Blues, you can read it here:

Making comics allows me to control all the creative and editorial process. See below photos of the first part of my graphic novel Salamanca Blues which I self-published via crowdfunding and now it's available in a number of shops in London, A Coruña and Salamanca.
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